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GALLERY: The Art of Neuroscience vol. II

[ 3 ] October 26, 2010 |

Scenes of nature have often been inspiration for human works of art, from prehistoric cave paintings to Rubens’ country landscapes.  Now, modern technology has taken us from these large scenes  of nature – rolling hills and buffalo-speckled plains – to the imperceptibly small scenes of nature:  The microscopic inner workings of our body.  We have featured art by artists inspired by these tiny scenes, specifically the scenes in our brains, but in The Art of Neuroscience series we are featuring “art by scientists.”

In our second volume of The Art of Neuroscience, we’ll take a peek into another newly developed neuron-labeling method that yields some rather striking images while also helping to elucidate the architecture of the brain.

Fluorescent microscopy works by labeling cells with specific markers that cause them to glow certain colors when bathed in a special wash of chemical agents (fluorophores).  These “markers” are usually genetic markers, and by tinkering with the genome of a host animal, the markers – and thus the colors produced by cells under the microscope – can be altered.  Driven by a desire to map the vast web of neural connections in the mouse brain,  Jeff Lichtman and his team at Harvard developed a fluorescent staining technique affording them a sizeable palette with which to paint neurons.

The genetic system they used is called the Cre/lox system. Cre is an enzyme responsible for deleting sections of DNA that are adjacent to lox alleles.  By splicing in a handful genetic markers that are responsible for different fluorescent colors (green, yellow, red, etc) in various places near the lox sites, a game of genetic roulette was played – depending on the position of different fluorescent color-producing genes in relation to the lox enzymes, a myriad of colors would ultimately be produced in the target neurons (i.e. red green green yellow, red red red green, red yellow yellow yellow, etc).

Lichtman cleverly dubs the technique “Brainbow,” and explains its application to discovering neuron connections:

The ability of the Brainbow system to label uniquely many individual cells within a population may facilitate the analysis of neuronal circuitry on a large scale… This labeling appears well suited for visualization and tracing of large numbers of neurons and their connectivity…color differences between neurons provide a way to sort their processes while tracing through sections, to directly visualize their putative synaptic interactions, and to distinguish the neurons that converge onto a postsynaptic cell.

The gallery below shows a sampling of the lush, elegant views of neural networks provided by the Brainbow technique.

If Monet was a neuroscientist he would surely be partial to this cutting-edge method.

Images/Jean Livet, Tamily A. Weissman, Hyuno Kang, Ryan W. Draft, Ju Lu, Robyn A. Bennis, Joshua R. Sanes & Jeff W. Lichtman. “Transgenic strategies for combinatorial expression of fluorescent proteins in the nervous system,” Nature. Vol. 450, (November 2007), Pages 56-63.

Comments (3)

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  1. […] This post was mentioned on Twitter by Vaughan, Brian Mossop, Nicole A. Gaddis, Sam McDougle, Larry Fleming and others. Larry Fleming said: RT @brainshow: new Art of Neuroscience gallery just posted on our site features beautiful "Brainbow" images: http://bit.ly/aVRSHB […]

  2. Jeremy says:

    Very cool stuff.

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