Neuroscience in Photography

"Empire Falling." Copyright Elena Dorfman.
“Empire Falling.” Copyright Elena Dorfman.

Over at Nautilus, there is a long piece by Jonathon Keats titled “When Photographers are Neuroscientists.” Keats, the experimental philosopher and conceptual artist, author of the book Forged: Why the Fakes are the Great Art of Our Age, tells the story of the photographers Elena Dorfman, David Hockney, and Weegee, whose work illustrates contradiction and uncertainty in how the brain handles visual information. Citing an influential 2004 neuroaesthetics paper by Semir Zeki, which defines the experience of ambiguity in the brain as the “certainty of many, equally plausible interpretations,” Keats goes on to celebrate photography as an expressive medium. The name of the author is meaningful; the poet John Keats coined the term negative capability, “when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.” The photographers highlighted in the essay each manipulated their negatives, creating innovative visions of the world that opened up the minds of their viewers to the possibility of different realities.

About the author

Ben Ehrlich

Ben Ehrlich's new book "The Dreams of Santiago Ramón y Cajal" will be published by Oxford University Press in 2016. Ben is a 2015 Salzburg Global Seminar fellow in Neuroscience and Art.

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