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Subjective Resonance Imaging: an International Brain/Art Gallery Show at HBM 2013

[ 1 ] May 23, 2013

Show poster – click to enlarge

We are excited to announce that we’ve partnered with the Neuro Bureau to organize a major group show exploring the brain through art, entitled Subjective Resonance Imaging, to be held in Seattle from June 16-20, in conjunction with the 2013 Human Brain Mapping conference. The show will feature many of the artists we’ve presented here at The Beautiful Brain, including Greg Dunn, Katherine Sherwood, Elizabeth Jameson, Constance Jacobson, Andrew Carnie, Jason Snyder, and many more. There will also be a thorough show catalogue we will be publishing, featuring images of all the artwork in addition to essays and interviews with thought leaders in neuroaesthetics.

 

From the exhibition press release, available as a PDF:

Seattle, WA— A new breed of art exhibition is rolling into town—one that takes shape in the heart of a scientific conference about mapping the human brain, a pursuit perhaps never more in vogue than we find it today.

According to cognitive scientist Pierre Bellec, who helped organize Subjective Resonance Imaging, “The exhibit offers a prism for both playful and thoughtful reflection. These artworks provide us with useful concepts and metaphors as we delve further into the unique aspects of human brain function and grapple with the meaning of brain mapping. It is our hope that this collection will contribute to the ongoing dialogue between artists and the neuroimaging community as we converge toward a shared landscape of inquiry.”

From Nina Sellars, working in Australia, who creates mixed reality pieces that integrate links to digital scans of her own brain, to Julia Buntaine, working in New York City, whose sculpture provides conceptual footholds to grasp metaphors of brain structure and function, Subjective Resonance Imaging finds artists at this interdisciplinary vanguard working with a wide range of materials and thematic interests.

Noah Hutton, founder of the online magazine The Beautiful Brain and curator of Subjective Resonance Imaging, says, “This is a band of explorers who have all shone their light on the vast and uncharted realms of the human brain; their maps may be more subjective, but they are cartographers nonetheless.”

The show asks timely questions about the borders between art and science, subjective and objective images, and the source of self-knowledge. It is accessible to the public and will be open daily from June 16-20, in the lobby of the Washington State Convention Center, and was made possible by generous contributions from Frontiers, the International Neuroimaging Data-Sharing Initiative, Max Planck Institute, Child Mind Institute, the University of Montreal, Canada, and The Instituto do Cérebro do Rio Grande do Sul, Brazil. 

2013 Brain Art Competition Announced

[ 11 ] April 10, 2013

This just in from the Neuro Bureau, who organize the annual Brain Art Competition, as well as a bunch of other projects around the philosophy of “open neuroscience.” Here’s the text announcing the open call for submissions to the competition:

Countless hours are devoted to the creation of informative visualizations for communicating neuroscientific findings. The Brain-Art Competition aims to recognize this often unappreciated aspect of the publication process, and highlight the artistic creativity of our community.

We are inviting researchers to submit their favorite unpublished works for entry. Both team and single-person entries are welcomed. The competition will have five award categories:

– Best Representation of the Human Connectome

– Best Abstract Brain Illustration

– Best Humorous Brain Illustration

– Best Video Illustration of the Brain

– Special Topic: Best Visualization of Probabilistic Connectivity

The ‘Special Topic’ is a new addition to this year’s competition that highlights an important challenge in current connectomics research: visualizing the uncertainty of 3D connections in tractography and functional connectivity data.

Submission Deadline: 11:59PM CDT, Wednesday, June 5th, 2013

Award Notification: June 17th during the Neuro Bureau gala event, held at the OHBM Annual Meeting in Seattle.

For more information, check out the competition details and submission form at: www.neurobureau.org

Money on the Brain

[ 3 ] February 25, 2013

The Blue Brain Project (now The Human Brain Project) was awarded €1 billion by the European Union. President Obama recently committed over $300 million a year for 10 years to a proposed Brain Activity Map (BAM) project modeled after the Human Genome Project. The Decade of the Brain was supposed to last from 1990-1999, according to President George H.W. Bush. Now some scientists question or even object to the new funding. There would seem to be a number of entangled implications —political, intellectual, social, economic, etc. One can think of our life, as the brain, as an complex organization of interconnected systems. So what do you make of these investments and how might they affect our society?

Music Video in a Brain Scanner

[ 5 ] February 1, 2013

Here’s something else scientific imaging could be used for– a performance-driven music video. Check out this new video, directed by Adam Powell, and featuring the music of Sivu.

 

New SciAm Video Series Explores the Brain

[ 2 ] January 30, 2013

A new Scientific American video series called “My Mind’s Eye“, hosted by neuroscientist (and past TBB contributor) Joe LeDoux, features interviews with prominent scientists and philosophers alongside performances by LeDoux’s own brain-themed rock band, The Amygdaloids. The episodes, which feature candid interviews and beautiful imagery, are being produced by Alexis Gambis of Imaginal Disc, and the first in the series is now live:

The first episode features philosopher Ned Block in dialogue with LeDoux about some of the most tantalizing questions in the present-day study of consciousness.

Can Art Be Diagrammed?

[ 1 ] October 30, 2012

The National Endowment for the Arts has supported creativity and innovation with governmental funding since 1965. Over the last two years, compelled by our Republican Congress, President Obama has cut the NEA’s budget by $21.5 million (12.8%). Earlier this year, however, the President proposed a 5.5% increase to the program in 2013, while Republican nominee Mitt Romney has said that he would eliminate the endowment entirely. During a brief speech in February, the President delivered the following message to recipients of the National Arts and National Humanities Medal: “Equal to the impact you have on each of us every day as individuals is the impact you have on us as a society. And we are told we’re divided as a people, and then suddenly the arts have this power to bring us together and speak to our common condition.” For so many of us, this idea feels true. Perhaps, while reading words, we have experienced what Vladimir Nabokov called “the sob in the spine,” that subtle yet unmistakable awakening. Perhaps we have been struck dead by live music, like what Frank O’Hara describes in his poem “The Day Lady Died,” which remembers a Billie Holliday performance (“everyone and I stopped breathing”). Perhaps we have felt the selfless satisfaction of giving ourselves up to an idea, as in an artistic group or community (like my community). We all know art affects us; but can these effects of art be measured? This is a scientific question, and one that the NEA, “to promote knowledge and understanding about the contributions of the arts,” has set out to answer systematically. The organization revealed its five-year research agenda called “How Art Works,” which seems at the same time eerie and right on point.

 

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